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Chris Cunningham is one of the most inventive directors in the history of music videos. Cunningham can be considered the most radical and experimental director of this format in the 1990s and 2000s. Due to the recurrence of themes in his work, such as freak and cyborg bodies, and also because he writes and edits his videos, the director occupies a legitimate place as an author in the context of contemporary audiovisual narratives. This book features a special analysis of two works: All is Full of Love (Bjork) and Rubber Johnny (Aphex Twin), as well as a brief history of music videos from the 1960s to the 2000s, and a biography and career overview of the British director. Enjoy your reading!
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