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British musician and composer Avison's (1710-70) Essay, first published in 1752, constituted a turning point in the discourse on musical aesthetics in Britain in the middle of the 18th century, says Dubois (U. de Paris-Sarbonne), and Hayes' (1708-77) Remarks on Mr. Avison's Essay on Musical Expression (1753) provides a benchmark by which it is poss
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