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Whether in an Alpine or urban setting, Stefano Cagol views the signal as a universal language that transcends political, geographical, and symbolic borders. In his public space projects, the Italian artist combines light, ritual, and technology to create stunning scenes through which he demonstrates the global reach and societal relevance of contemporary art. This book focuses on Cagol's central performances in Brixen, Wolfsburg, and Cairo, among other places. With the aid of critical essays and through numerous images, these performances are situated within the overarching context of an oeuvre shaped by the pressing debates of the Anthropocene age and the resulting limits to what the planet can withstand.
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