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Stephen-Paul Martin has been called "e;one of our great deadpan humorists,"e; by Eric Basso and "e;North America's foremost master of the short story"e; by Vernon Frazer. Marjorie Perloff has described his writing as "e;wildly comic,"e; and Fanny Howe has called his stories "e;magnificent and entertaining."e; In CHANGING THE SUBJECT Martin once again deforms traditional notions of the story, giving us beautifully digressive revenge-fantasies, hysterical moral tales, and his singular, uncanny brand of the shaggy dog yarn
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